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Introduction
1859
French Army
Austrian Army
Sardinian Army
Theatre of War
Opening Moves
Battlefield
The Battle
Sardinian OOB
French OOB
Austrian OOB
Solferino Today
San Martino Tower
The Spy of Italy

 

 

 

The French Army.

One of the main problems with the French army at this time was the scattered nature of its various components, and although seen by most as the finest army in the world, particularly due to its exploits during the Crimean War and in Algiers, it had changed drastically since the heady days of the First Empire and now, ‘…the structure, organisation and method of recruitment were based on a conscious denial of all that the Revolutionary and Napoleonic armies had stood for. Neither the restored Bourbons nor the Orléanists had wished ever again to unkennel the mob.[1]

 


French Uniforms

The French Ministry of War proved totally inept when it came to its estimates for the troops available for the Italian campaign. At most they could put together just 200,000 men, while a further 50,000 were needed in Algeria, and another 6,000 were used to support the Papal government in Rome. This supposedly left 200,000 troops in eleven infantry and two cavalry divisions scattered around France for home defence. But these were not all first line regiments, and consisted mainly of garrison and fortress troops together with depot maintenance parties.[2] Luckily for Napoleon III Prussia was not able to move more swiftly to the aid of Austria in 1859; had she done so the French Emperor may have been crushingly defeated on the Rhine

In the eighteen thirties, during his tenure as French Minister of War, Marshal Soult had considered the formation of elite chasseur companies armed with rifled carbines that would be able to use their athletic-style training to move faster on the battlefield, and although none of these companies ever materialised, the idea of fast moving and agile troop formations was taken up by the Duc d’Orléans who raised a company of chasseurs which, in 1838 was increased to full battalion strength and became known at the Tirailleurs de Vincennes. [3]

The manoeuvring of these troops was totally different from that of the line regiments in that they were trained to perform all manoeuvres at the double quick, or at what became known as the gymnastic pace, which was very fast, and ranged from 165 paces per minute up to a positively breathtaking 180. While campaigning in North Africa they were brigaded with the native Zouaves, and the two units soon became very efficient in dealing with Arab long range sniping and hit and run tactics.[4] In 1840 a further nine battalions were raised and their name was changed to the chasseurs à pied. By 1845 Marshal Thomas Bugeaud authorised the publication of a manual, “Instructions for the Evolutions and Manoeuvres of the Foot Chasseurs.” Forthwith all battalions of light infantry would manoeuvre at the gymnastic pace without interruption, from closed column to line, without having to go through the ten separate commands employed for the line battalions.[5]

The line infantry themselves still used a basic mixture of column and line. However, the massive columns of attack that had been employed at such battles as Wagram and Waterloo during the Napoleonic Wars were abolished and, thanks to the writings of the Swiss born military theorist, Baron Antoine Jomini (1779-1869) in his work, Precis de l’art de la guerre, published in 1838, the offensive was now carried out in deployed line, reinforced either at the centre or on either flank by battalions in company column. Jomini also considered that any attack should be made en echelon using a V or “inverted V” formation. Light troops advanced in front of the attacking formation in skirmishing order.[6]


French Rifles

The introduction of the rifled musket caused Napoleon III and his generals to consider the practicability of long-range rifle fire on the battlefield. Since the French now had most of their light battalions armed with the Minié rifle, it became apparent that unless kept under strict control, these troops could start firing at long range thus using up a great deal of ammunition. As General Bonneau du Martray stated:

As no one doubts that the rifle will play a much more important part in success of future battles than hitherto, it is the utmost importance to train good shots. We say, in the first place, that the use of the elevating sight is too slow and too difficult in battle; it will even cause the loss of some of the advantage of breech loading. The determination of distance, and, consequently, the adjustment of the sight, are liable to error, and the time required endangers the loss of the favourable moment for firing…We think, therefore, that in the field we should abolish the use of the backsight. It is not absolutely necessary to hold the rifle at the shoulder to make good practice in firing.[7]

One can see from all the above that the French still considered élan on the battlefield to be more important than rifle training, and that the bayonet was still the weapon most to be relied upon in deciding the issue.

The French cavalry, like most of their European counterparts, were still used for shock action and information gathering, although the latter was, to say the least, abysmally carried out by all three armies during the Italian campaign. All regiments were armed with the Delvigne or other equivalent rifled carbines, which were supposed to allow the light cavalry in particular to act as skirmishers, but the main role of mounted troops was in the attack, carried out by massed squadrons employing a “raking charge” when attacking enemy infantry in line; this called for them to approach the enemy from the right, that is on the sword or lance arm, so that they could avoid the destructive fire of the new rifled musket, and once closed on their opponents they were to ride along the front slashing and spearing, causing as much confusion as possible.[8]

Like his famous uncle, Napoleon III was a keen advocate of artillery, with a sharp eye for new developments in the field of ordnance. The French therefore were able to take the field armed with 12 pound cannon, and the new 4 pound Beaulieu rifled guns, which far outclassed the Austrian smoothbore.


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[1] McElwee. William, The Art of War, page 34

[2] Ibid, page 36 

[3] Nosworthy. Brent, The Bloody Crucible of Battle, page 53-54

[4] Ibid, page 57

[5] Ibid, page 397-398

[6] Quoted in, Nosworthy. Brent, The Bloody Crucible of Courage, page 59

[7] Nosworthy. Brent, The Bloody Crucible of Courage, page 282

[8] Ibid, page 74

 

 

 

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